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Reporting

  • "Made in the Shade"
    A package on Southern writers: profiles, interviews and an 11-state directory of writers you may never have heard of but are worth your time. Appeared in Creative Loafing chain.
  • "Mass Appeal"
    A day-in-the-life profile of a telegenic parish priest in Miami. Published in Catholic Digest, reprinted in the St. Petersburg Times
  • "The Liberation of Tam Minh Pham"
    How the first West Point graduate from South Vietnam disappears after the fall of Saigon, only to be rescued by his classmates two decades later. A cover story in The Washington Post Magazine

Fiction

« What do today's (online) journalists need to be taught? | Main | Say it again, Sam. »

Comments

Nicholas

Tough question. Is it OK for photo journalists to take the the same picture from the same perspective, nearly the same lighting, focus, attention... and call it their own? My gut tells me yes. As with the photos in the slideshow, the photos were taken at different times. And my opinion is that the Zeiskes' photos are better than Peter Bialobizeski's, so it's an updated look at the same thing. It is different. But being the same image complicates it. When I think about this beyond the photo journalist perspective, and look from my own, as a print journalist, I know it would be an obvious case of plagerism if I were to write an article that is almost entirely the same, from the same perspective, with the same focus, etc. This comparison might be a stretch, so I'd propose, for credibility's sake, adding a photo cutline or tag that says something like this, "Photo inspired by the earlier work of Peter Bialobizeski, 2001."

Nicholas

ia before e especially after g

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